Classical
Classical Music covers a lot of ground.
Suffice it to say, from Nathan's perspective, the thought about what classical music is today, is the same as it was twenty even more than fifty years ago. The interpretation of music written for the operatic, recital or concert stage that has much of its focus on the acoustic treatment of sound with dramatic and historical impact is the locus of the genre.
Providing emotional relavance from the perspective of eras gone and long gone with ancient techniques, mastered over a lifetime is the thrust of what we do.
The performances on the classical stage are meant to see what a human can do, without if possible, the use of amplification, or if when amplification is used, it is done so only to carry to a larger venue, such as the massive park and arena shows, as well as festivals and other venues that need simple sound reinforcement.
While IndieClassical music deals with mostly new thought, and has a more edgy and gritty side, tradional Classical Music engages emotion from the pure and uncluttered standpoint of using wood, metal, flesh, sinew to create the sound of pure humanity. Beautiful sounds, ugly sounds, they all must come from the most elemental of places.
